Film and Video

Pilot programs have clearly shown that extensive word and concept explanations are often needed if a non-Christian is to understand the written text as read on a cassette. The explanations will need to be provided in a format that is appropriate to both the medium and the listening context. It may be... a dramatic series of daily readings, presented in the context of a village family, and a narrator who will provide the necessary help with background information so that the listeners can place the text in its geographical and cultural context.

Although written before much of the revolution in digital media, this book provides a lot of useful strategic input for those involved in media and Scripture Engagement.

It is divided into three sections:

1. Foundational principles for use of media in church and mission – Biblical principles, communication models, research methods.
2. Selected media descriptions – chapters on television, radio, video, audio cassettes, print, film, music, painting & dance-drama, computers
3. Practical guidelines for media in church and mission – strategy, planning, production, testing, distribution, evaluation.

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The choice of medium can make a difference, and better artistic quality enhances any communication. However, the most important quality is how relevant the message seems to be to the lives of its hearers. If a hearer (or reader or viewer) thinks the message can make an important difference in his life, he will make an effort to listen, even if the quality is poor. Conversely, if he thinks it says nothing personally relevant, he will ignore even the best presented message. This principle of personal relevance is critical to communication.

Wayne Dye expands upon his third condition for Scripture Engagement:

Accessible forms: People are able to read the Scriptures or hear them from others or by listening to electronic media.

The article describes different ways of making the Scriptures more accessible: storying, literacy, local performing and visual arts, audio recordings, cell phones and video.  [more...]

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"In the high mountains of Central Asia are shepherds who live a simple but rugged life. The village where they live is extremely remote and isolated from the outside world. Going there feels like you're stepping back into time. This is the first time a film has been done with this people group. All of the actors are from the local village."

This is the first film in GemStone Media's Luke 15 trilogy, which is followed by "The Lost Jewel" and soon "The Lost Sons".

To see footage from the making of The Lost Sheep, watch the video "The Lost Sheep - Behind the Scenes".

The film is released under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License. It can be downloaded and shared freely.  [more...]

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